Laszlo Van Leeuwen

I’m the founder of 3PM, a Web3-native music ecosystem built on Solana, that pays both artists and their fans directly in crypto, while giving independent creators full sovereignty over their art, audience, and income.

Artists release and monetize music on-chain, retain full ownership of their work, and are protected by infrastructure that makes their music uncensorable and undeletable. Unlike oth

I’m the Founder & Creative Director of LZLO, a premium brand, product, and digital experience studio built to help forward-thinking organizations, startups, and creators bring their most ambitious ideas to life.

At LZLO, we deliver world-class brand strategy, product design, digital products, and immersive experiences — from high-impact visual identities and UI/UX systems to 2D & 3D web experienc

I'm an independent music artist with a strong foundation in professional music production and over a decade of international creative output.

Completed formal music production training at SAE Institute and Cape Audio College. Released an extensive catalogue comprising 6 mixtapes, 1 studio album, 1 instrumental tape, and 13 singles, totaling 138 original songs, alongside 7 professionally produced

Peach Worlds is the world's first no-code, AI-powered 3D website builder. Whereas 3D websites used to take months to design and a fortune to pay for, Peach Worlds makes the process fast, intuitive and affordable. Our builder is used by top brands in Web3, eCommerce, Fashion, Music & more. I was lead product designer for the builder itself, as well as experience designer assisting brands and fellow

I lead the experience design team at Flight3, the Web3 marketing arm of Flight Story, leading the development of websites for top web3 brands like Coinbase, Fabric, Asaari, The Digital Commonwealth and more.

I co-founded a luxury recording studio 15m from the ocean in Nosara, Costa Rica. I helped design the studio space itself, designed the brand identity, the website, managed the social media channels and handled our marketing. I was head music producer, recording talented artists from around the world, and we designed a range of live experiences, from a live jam event with renowned producer Mose, to

I designed a set of tools that intend to put the power to create the metaverse into the hands of the people, rather than having it centralized with a few big corporations. These tools include an NFT scanner app, allowing users to scan any object in their environment into a hyper-realistic, VR Ready NFT object; Life Cubes, interlinkable blockchain hosted VR spaces that can be populated with NFT obj

I was headhunted by MTN, recruited and worked on the ayoba super app from conceptualization, wireframes, mock-ups and prototypes all the way to public launch. I was the Lead Designer involved with designing the product from start to finish, as well as organizing, managing and assessing UX research campaigns for further product improvements. I later accepted an additional role in the marketing depa

I was recruited by Novelship, a Singapore based start-up, and worked as Senior UI/UX designer, designing their online auction platform for luxury and limited edition fashion items. In terms of User Experience, I designed both the online experience and the in-person part of the experience that users encounter when buying or selling items. I carried a dual role, also joining the marketing team and d

At Klarity, I focused on multimedia design and UI/UX design for various top brands like Mercedes-Benz, Harley-Davidson, Thrifty Car Hire, Infiniti and more. I designed graphics for these brands to use across their social media channels, and helped redesign their localized websites, incorporating online booking systems which greatly helped to increase their revenues.

Silver Songbird was a creative marketing agency that I launched with a team of 9 creatives whom I lead, with a specific focus on servicing the entertainment industry. We aided creatives with their content creation process and their marketing campaign from start to finish. We grew fast, and our clients included various top South African and Nigerian entertainers. After just over a year, I received

At Tray International, I lead a team of 6 other designers and developers in designing websites, online games, social media graphics and cross platform experiences for some of world’s biggest removal companies, including AGS, Pickfords, Stuttafords, Executive Relocations, Magna-Thomson, and more. I left to start my own creative agency.

Regime Records was a small artist development company founded in Cape Town, South Africa, specializing in developing urban styled artists. Under direction of myself, Regime Records’ 9 artists were unique, authentic and genius at what they do, working on compositions created by a network of producers around the world, with the goal of giving a fresh universal twist to hip hop through introducing to

Pro Soccer is Africa’s largest online soccer merchandise store. I designed web pages for promotional campaigns and marketing funnels, assisted with overall online store maintenance, designed promotional graphics and ran/managed their social media marketing. I left because I wanted to study music and I no longer had time to work an office job, and my employer became my freelance client.