Beata Smalgren-Brown

●​ Fluid dynamic character, maps and UI animation, advanced rigging, visual effects for the mobile game Primal Legacy, implementation to Unity game engine, ensuring smooth performance and engaging combat/movement mechanics on mobile and PC platforms. 
●​ Softwares used: Spine, Unity, Photoshop, After Effects, Illustrator

●​ Taught introductory and advanced gameplay animation to a class of 10–20 students via remote/online learning, utilizing Autodesk Maya to mentor and inspire the next generation of animators.

●​ Executed end-to-end 3D character animations including high-fidelity modeling, skeletal rigging, implementation to Unreal for PC and video game titles.
●​ Collaborated across multidisciplinary teams to ensure 3D assets met rigorous engine performance and technical optimization standards.
●​ Created animations for the Quadrima internal AI technology used in Barkour and many other games.

●​ Created high-engagement 2D animations (of characters, symbols and backgrounds), advanced rigging systems and visual effects tailored specifically for fast-paced mobile slot titles.
●​ Developed polished, intuitive game UI and symbol designs that aligned with overall thematic slot art styles.

●​ 2D Animation and creation of Visual Effects in Unity for mobile games worldwide

●​ 2D and 3D animation, visual effects and video editing, in collaboration with the Marketing and IT teams.

●​ Specialized in the complete pipeline of 3D modeling, advanced rigging, and character animation for Dream of Gods MOBA game characters.
●​ Optimized character rigs and silhouettes for clear readability and responsive competitive gameplay mechanics.
https://www.indiedb.com/games/dream-of-gods

●​ Directed mixed 2D/3D art pipelines, overseeing core creative tasks from initial modeling and texturing to final lighting and animation.
●​ Maintained visual consistency across multiple media formats and guided technical asset integration.

●​ Animated character sequences for the animated short Kupala Night within a professional production pipeline course collaboration with help of Disney and Pixar professionals.
●​ Adhered strictly to professional studio milestones, supervisor feedback, and established pipeline constraints.

●​ character design, rigging and animation for the character presented in link below:
https://www.youtube.com/watch?v=BsEV5I5bqbQ

Worked as Stop-motion Animator and Props Modeler at Frog Bar.

School of Animation & Visual Effects

obtained a grade of 7 in Visual Arts Higher Level in final graduation exam (with 7 being the highest and 0 the lowest)