The Science

I’m an Audio Director/Composer/Sound Designer with over 18 years of experience across linear and non-linear media. My work spans game audio for AAA and casino titles, plus music production for advertisements and media projects—always focused on quality, efficiency, and player immersion.

In recent roles at BackseatGaming, I led audio direction and product ownership, aligning creative sound design, music composing, implementation, mixing, and VO recording. I set audio-related aesthetic directions for multiple game brands, and also supported R&D pipelines and in-house tools—bridging the gap between creativity and technical execution.

As an Audio Director/Sound Team Lead at Evolution, I owned audio aesthetics for titles released under NetEnt and RedTiger brands while leading teams through strategic and personal development. I managed quality, mentoring, and coaching, and connected sound and game design to strengthen development and prototyping workflows.

I’m equally comfortable deep in production and systems—mixing (linear and non-linear), field and studio recording, clean-up and editing, and building complex runtime audio experiences. From shipping 40+ games to co-founding TheScience as a producer/engineer/composer, I aim to craft impactful audio that enhances experience and immersion, whether for games, live sound, or screen media.