Matt Lewis

Led design and modeling of large-scale environments and sets for animated scenes, enabling seamless ingestion into Unreal Engine and improving asset consistency through quality control and team guidance.

Created large-scale, high-resolution environments and extensive set dressing to increase realism; enforced quality control and optimized polygon usage to ensure reusable, production-ready assets for an undisclosed project.

Modeled large-scale organic and mechanical assets, sculpted terrains and geyser landforms, and retopologized complex landmasses for Spidey and His Amazing Friends Season 3.

Built detailed forest environments, sculpted pathways and cliffs, and modeled complex interconnected machinery and set expansions for Zombies: The Re:Animated Series Season 1.

Modeled large-scale industrial sets and a central stage for the Full Animation 'Alvaro: Reignition', ensuring strong silhouettes and negative space in dimly lit environments and creating kitbash assets and integrated electrical systems.

Modeling of detailed warships and their interiors while maintaining the easily identifiable silhouette and hard shadow details.

Led a team of modelers on the Iwájú animated series, maintaining production quality standards, resolving complex modeling issues for intricate vehicles and sets, and presenting assets and revisions to the client for approval.

Sculpted large-scale environments and constructed ornate set pieces for the Hit Pig animated feature, ensuring proportion, functionality for character interaction, and visual fidelity.

Modeled a Japanese-style palace exterior, crafted an intricate throne room without mesh penetrations, and performed detailed sculpting and set dressing for coastal landscape elements on Paws of Fury.

Developed various building style tile sets to construct a procedurally generated metropolis.
Constructing neighbourhoods tailored to match different city regions all using the same modular building components and existing set dressing.
Modeling various structures to be easily destructible, with many assets designed to break away into singular elements for more in depth destruction control.

Leading teams with the production of complex sets through to completion with minimal art direction.
Conceptualizing a method for large scale procedural generation of structures utilizing specific architectural styles.
Modeled photorealistic LEGO brick elements for post-apocalyptic character armors, ensuring the minute details to enhance visual authenticity.