Brianna Markley
@briannamarkley
Adjunct art professor and fiber-focused maker, translating papermaking and sculpture into rigorous, student-centered instruction.
What I'm looking for
I’m an Adjunct Art Professor (appointed to teach Drawing I and 3D Design beginning Fall 2026) with a strong foundation in fiber arts and material-led learning. My practice centers on papermaking, sculptural form, and technical clarity—so students can build confidence and develop their own concepts through process.
At Cranbrook Academy of Art, I designed and led a sculptural knit workshop exploring knitted armatures as foundations for cast paper forms. I also developed and facilitated papermaking workshops for undergraduate and graduate students, demonstrating both Eastern and Western techniques while emphasizing two-dimensional sheet formation and sculptural casting applications.
Across library, gallery, and studio support roles, I’ve strengthened research, installation, and mentorship skills—supporting graduate artists and faculty with interdisciplinary inquiry, assisting critiques and exhibition installations, and photographing/documenting artwork to maintain professional continuity. I bring an educator’s focus on technical skill, conceptual development, and material experimentation—grounded in my MFA training and recognition through awards and accepted work.
Experience
Work history, roles, and key accomplishments
Papermaking Workshop Assistant
ND-LEEF – Notre Dame Linked Experimental Ecosystem Facility
Assisted in teaching sustainable papermaking workshops using locally sourced native plants. Prepared materials and demonstrated natural fiber processing techniques for community participants.
Plant Harvesting
Daly Farm
Harvested and processed regionally grown plant materials for use in natural papermaking, fiber, and dye research. Applied sustainable material-gathering practices to support environmentally conscious studio methods.
Sculptural knit Workshop Instructor
Cranbrook Academy of Art
Designed and led a sculptural workshop exploring knitted armatures as foundations for cast paper forms. Guided artists through pulp preparation, casting techniques, and material experimentation.
Adjunct Art Professor
Bethel University
Appointed to teach Drawing I and 3D Design beginning Fall 2026. Develops course curriculum emphasizing technical skill, conceptual development, and material exploration.
Library Assistant
Cranbrook Academy of Art
Supported graduate artists and faculty in interdisciplinary research across fiber, sculpture, photography, and metalsmithing. Managed circulation and archival shelving and assisted during critiques and exhibition installations by coordinating research materials and studio resources.
Circulation Assistant
University of Notre Dame
Assisted students, faculty, and researchers with architecture, design, and academic reference collections. Organized architectural drawings and special collections materials and maintained course reserves.
Gallery Assistant
Moreau Galleries
Curated and organized exhibitions while maintaining institutional voice and artist intent. Installed 2D and 3D work, photographed and documented artwork, updated gallery pages, coordinated with artists, and supported lectures, receptions, and community events.
Papermaking Workshop Instructor
Cranbrook Academy of Art
Designed and facilitated papermaking workshops for undergraduate and graduate students. Demonstrated Eastern and Western papermaking techniques, focusing on sheet formation and sculptural casting applications, and developed experimental pulp and dye recipes.
Volunteer
Boys & Girls Club of St. Joseph County
Engaged children in creative activities and after-school programming. Supported literacy, art projects, and confidence-building exercises.
Peer Mentor
Saint Mary’s College
Mentored first-year students through their transition to college. Facilitated workshops, discussions, and weekly seminars focused on academic success and community engagement.
Fibers Teacher Assistant
Saint Mary’s College
Mentored undergraduate students in fiber processes including weaving, felting, papermaking, surface design, and stitch-based construction. Demonstrated technical processes and supported conceptual development during critiques and studio instruction.
Education
Degrees, certifications, and relevant coursework
Cranbrook Academy of Art
Master of Fine Arts, Fiber
2024 - 2026
Activities and societies: Relevant coursework: Sustainable Textiles, Surface Design, Curatorial Studies, Fabric Printing, Surface Construction and Application.
Master of Fine Arts in Fiber at Cranbrook Academy of Art (Fall 2024–Spring 2026).
Saint Mary’s College
Bachelor of Arts, Art History & Fibers
Activities and societies: Relevant coursework: Sustainable Textiles, Surface Design, Curatorial Studies, Fabric Printing, Surface Construction and Application; Dean’s List (Fall 2020–Spring 2024).
Bachelor of Arts in Art History & Fibers from Saint Mary’s College, completed May 2024. Dean’s List (Fall 2020–Spring 2024) with cumulative GPA 3.85 and major GPA 4.00.
John Cabot University
2023 -
Study abroad program in Rome, Italy (Summer 2023).
Moore College of Art & Design
Summer Art & Design Institute
2019 -
Activities and societies: Drawing, Painting, Design, Printmaking.
Summer Art & Design Institute program at Moore College of Art & Design (Summer 2019).
Tech stack
Software and tools used professionally
Availability
Location
Authorized to work in
Job categories
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