Yakubu Moshood

I've spent more than 10 years developing, reviewing, and revising scripts and production materials for Nigerian film and television, including Nimbe, Fate of Alakada, and Ada Omo Daddy.

I now apply that editorial judgment to AI-assisted content workflows, testing generated text and multimedia for factual support, narrative continuity, visual consistency, pacing, usability, and presentation quality.

In my independent projects, I defined evaluation criteria and human-review gates for research, writing, visual generation, narration, and editing. I also turned a hallucinated schedule extraction into a documented framework for source grounding, ambiguity, confidence, abstention, and escalation.

I'm building FraymIQ and Olukotan around clear product rules, approval stages, visible failure states, creative consistency, and writer control over unsupported automation.