Richard Yeagley

Freelance editor and producer for documentary and commercial productions, delivering award-winning non-fiction work featured on PBS, NPR, Vice, The New Yorker, Hulu, and Tubi. Produced projects end-to-end across video and sound editing, story development, interviewing, scheduling, budgeting, and directing talent/camera.

Edited Divisible, a feature documentary about discriminatory redlining practices, from November 2022 through January 2024.

Produced and edited a six-episode docu-series and a feature documentary for SENA.

Edited Street Reporter, a short documentary directed by Laura Waters Hinson that screened at the Austin Film Festival and other US festivals.

Produced and edited Making Mike, a branded feature documentary that was picked up by Tubi.

Served as story producer for the first season of Fanatics: The Deep End, a 30-minute docu-series on Vice TV.

Produced, directed, shot, and edited The Pause: A Brief Contemplation of Scott's Infertility, a short documentary for Season 2 of the NewYorker.com Documentary series.

Produced an animation video campaign for Salesforce.

Created, produced, and edited Town of the Big House, a five-episode narrative non-fiction radio documentary, with the first season released in January 2019 in partnership with WYPR.

Produced, directed, and shot The Sunday Sessions, a feature-length documentary released by First Run Features.

Led production and writing for a brand, marketing, and production studio, developing, producing, and distributing original branded entertainment.

Produced, directed, wrote, and edited The Tradesmen: Making an Art of Work, a feature documentary broadcast nationally on PBS and picked up by Hulu.

Earned a B.A. in Film from Stevenson University, graduating in 2008.