Black Flame

I am a versatile 3D Artist with over 3 years of specialized experience in layout and previs for high-profile film and television projects. My journey has been marked by a strong technical proficiency in industry-standard tools such as Maya, Blender, and Unreal Engine, which I combine with exceptional cinematic storytelling abilities. I excel in translating storyboards and scripts into compelling visual narratives, utilizing advanced camera work, composition, and character blocking to bring stories to life.

At Technicolor MPC, I developed comprehensive previs sequences for major feature films, including 'Kraven the Hunter' and 'Ant-Man and the Wasp: Quantumania.' My role involved creating visually striking camera compositions and implementing cinematic sequences in Unreal Engine for real-time previsualization. I have a proven track record of collaborating effectively with directors and art teams while also thriving in autonomous environments to solve complex visual challenges and meet tight production deadlines.

My earlier experience as a Junior Texturing Artist at Occult Studio allowed me to hone my skills in creating high-quality textures and collaborating with art directors to achieve cohesive visual storytelling. I am passionate about pushing the boundaries of 3D art and visual storytelling, and I am always eager to take on new challenges that allow me to grow and contribute to innovative projects.