Barnaby James

Established and built an independent electronic music label, managing end-to-end digital asset workflows, metadata compliance, cataloging structures, and international supply chain distribution. Evaluated raw incoming audio submissions, executing final technical audio checks, mixing adjustments, and mastering optimization for commercial release readiness.

Managed multi-camera production environments (Sony A7III ecosystem, GoPros) over a 7-year period, handling physical framing, lighting profiles, and high-resolution asset capture. Executed systematic video editing workflows within DaVinci Resolve, cleanly aligning multi-track audio stems with visual cues, balancing dialogue frequencies, and applying color correction.

Produced and engineered commercial audio assets for global heavyweight labels including Spinnin’ Records, Flashmob Records, All We Have Is Now, and Kneaded Pains, securing a documented global reach exceeding 1.5 million listeners. Conceptualized and self-managed digital marketing funnels that propelled a single release to over 400,000 views on YouTube, 244,000 streams on Spotify, and rotation acro

Managed a highly successful, continuous 14-year service portfolio, proving exceptional long-term career reliability, self-motivation, and structural independence. Operated with strict attention to fine detail under tight, self-managed timeframes, ensuring high-quality output and consistent quality assurance daily.

Completed a Level 2 qualification in Barbering.

Completed a course on Viral Marketing & Advertising.