I've shaped sound for films including City of God, Pan's Labyrinth, Amores Perros, Biutiful, Bardo, and Hellboy II: The Golden Army. My work has earned MPSE Golden Reel Awards for City of God and Pan's Labyrinth, plus MPSE nominations for Biutiful and Hellboy II.
Across more than 20 years in film, television, and streaming, I've worked as a supervising sound editor, sound designer, sound editor, and sound effects and Foley editor. I collaborate with filmmakers to create immersive soundscapes that strengthen storytelling and connect with audiences.
I combine sound supervision, dialogue, FX and Foley editing, Dolby Atmos mixing, technology, and creative team leadership. Sound isn't only what you hear—it's what you feel.
